The Writer's Garden

At this time of the year everything in the garden shouts for attention: from the dazzling pinks and reds of rhododendrons and azaleas to the riot of purples and yellows in the rockery.

Alongside these vibrant colours, however, there's also shade and texture in the palette of greens, silks and succulents of new-burst leaves and emerging buds.

A bit like writing, really. There's the blaze of an idea that you just want to burn onto the page before it dims. Then you watch the fire settle and add/change colour, texture and tone.

Currently BOOKMARK -  www.bookmarkblair.com - has the delightful Joan Lennon as our writer in residence for a six month period in the run up to the festival. She's started posting writing prompts on the festival blog on a Friday to be completed by the following Wednesday. Great fun and so exciting when you surprise yourself by coming up with an idea or an angle which you'd never previously considered. Everyone should have a go!

Yesterday was the deadline for applications to the Scottish Book Trust for the '2014 Next Chapter' award which is specifically aimed at writers over 40. Just made it and no more! Anyway, the chosen applicant gets to spend time with a mentor in the beautiful setting of Moniack Mhor where I'd just love to be right now.

This month's reading has ranged from a Neil Gaiman children's fantasy called 'The Ocean at the End of the Lane' to Maggie O'Farrel's 'Instructions for a Heatwave'. Both proved to be fascinating in their different ways. Neil Gaiman is such an original writer whose creation of the world at the end of the lane oscillates between childhood memory and fantasy. Returning as an adult to a once familiar childhood landscape and prompted by Old Mrs Hempstock. a magical old lady, he finds himself drawn into memories of the past which hover on a string-thin borderline between fantasy and reality. 'Lyrical, scary and beautiful . . . a fantasy rooted in the darkest corners of reality.'  - Independent on Sunday.

Maggie O' Farrell is a favourite author of mine. I love the way she gets into the back of her characters' heads and gives the reader teasing glimpses of what makes them tick. 'Instructions for a Heatwave' explores the emotional layers of one family's dynamics when they are forced to come together to investigate the sudden disappearance of their father. Tautly written, it gives the reader a compelling insight into the consequences of unspoken histories.

Off to the greenhouse to ensure my summer garden will glow with colour, light and texture.

The Writing Process Blog Tour

Recently I was invited to participate in a blog tour, answering the same

four questions about writing approaches that other writer bloggers have been contemplating. So, here are my observations. Have a look at some of the other participants’ blogs and compare notes. The responses are fascinatingly different.

What am I working on?

Currently, I’m working on redrafting my first novel which has lain in a drawer for two years. No bad thing, you might say and, in many ways, I agree. The main problem with the lying about in a drawer approach, however, is that the longer the slumbering opus lies there, the more difficult it becomes to waken it. It took a very encouraging ‘Winter Words’ writing workshop to finally prompt me to open the drawer.

Alongside the editing, I’m working on a new short story ready to enter the next round of competitions. This is my way of keeping up the momentum: list the entry dates for one or two competitions in the forthcoming months, then get writing. A recent entry in the annual Fish Publishing memoir competition was short-listed. Not a winner but maybe next time . .  .

How does my work differ from others of its genre?

Apart from an academic textbook, ‘Textual Analysis’, published by Oxford University Press, my only other published writing is a series of children’s stories ‘The Colonel’s Collection’ - www.thecolonelscollection.com - based around a handsome cock pheasant called The Colonel. These are essentially animal fables with a gentle lesson to be learnt from each. I like to think they are different from other animal stories by virtue of their strong characterization and humorous illustrations created by Louise Gow. They are designed to appeal to adults as well as children. It’s my belief that parents are much more likely to read stories to their children if they (the adults) equally enjoy them. I can remember chortling over Raymond Briggs’s stories while reading them to my children. There was a delightful adult sub-text running through the narrative and that kept both reader and audience entertained.

Why do I write what I do?

I started out writing children’s stories because all the ingredients were there on my doorstep: a rural landscape, a castle and a wonderful array of wild creatures, each with its own distinctive personality. As the series progressed, so did my enjoyment of watching the interaction between these creatures and inventing new situations in which to develop this interplay of characters.

My adult novel aims to be the type of book I enjoy reading: character-driven and concerned with exploring the psychological and emotional reactions of a few individuals in a testing situation. I’m not a fan of the broad-sweeping saga: too many characters and not enough time to explore each one. I am interested in people and what makes them tick, especially when put under some kind of pressure. So, that’s what I want to write about.

How does my writing process work?

A bit of an odd question as it assumes my writing process does work! Sometimes, I start with a given when I’m writing a short story for a competition and a subject is prescribed. I quite like this approach as it disciplines my focus and dictates length. More often, I get an idea for a short story or a novel from something I observe and note, or experience and remember for days after. The novel I’m editing at the moment began life that way: I had been to hospital for a check-up and, coming out at the main entrance, I was confronted by a young man holding his head in his hands, obviously deeply distressed. For some reason, I felt drawn to him and the memory of his face and hunched shoulders stayed with me for days until I felt I had to write his story which started off as a short story but soon developed a life of its own and expanded into a novel.

I plot out the main stages of the story on a white board and fill in detail where I can see it at this stage. I usually know how it will end, although that can change as the writing develops. I’m a slow writer so it takes some time to complete a project. Then it’s edit, edit, edit . . .

I try to write every day but that’s not always possible. Today, for example, I’ve had to work on arrangements for this year’s BOOKMARK book festival - www.bookmarkblair.com - of which I’m the Chair. The nearer I get to the main festival weekend  (10^th - 12^th October), the less time available for writing. I’m planning on rescheduling my day so that I can write in the early morning during the light, summer months. We’ll see how long that lasts!

Blog Tourers Before and After

I was invited to take part by:
Ann Swinfen www.annswinfen.com
She was invited to take part by:
Catriona Troth catrionatroth.blogspot.co.uk
These writers will be following me and posting their answers to the four questions on Monday 14th April. There should have been three but one was a no show! They are:

Joan Lennon http://joanlennon.blogspot.co.uk/

Joan Lennon grew up in Ontario, Canada, and came to Scotland in 1978.    Now she lives in Newport-on-Tay, Fife.  Joan writes fiction for children - historical series, big fat fantasies, novels for less robust readers, and silly stories about dragons, ferrets and poo - and poetry and fiction for adults.  She also runs creative writing workshops for all ages, and is just beginning a six-month post as Writer-in-Residence for Blairgowrie, Rattray and the Glens.

Marion Duffy www.mirrenjones.wordpress.com

MIRREN JONES is the pseudonym for the creative writing partnership of Marion Duffy from Scotland and Elaine Atkins from Wales.  Marion and Elaine have been writing together for 17 years: books, journal papers, articles, academic courses, workshops, short stories and poetry.  And they're still good friends!  Their debut novel was Eight of Cups.  Marion currently works as a medical practice manager, and Elaine was formerly a senior NHS manager – their experiences bringing realism to their novel- in-progress,  Never Do Harm

www.mirrenjones.wordpress.com

Raring to Write: Light Lifts My Spirits

Raring to Write: Light Lifts My Spirits: I am one of the multitudes residing in the northern hemisphere who suffer from winter light deprivation. Not the full b...

Light Lifts My Spirits

I am one of the multitudes residing in the northern hemisphere who suffer from winter light deprivation. Not the full blown S.A.D. variety but, nevertheless, quite debilitating. I find the omniscient grey wallpaper dulls the senses and depresses the creative spirit.

So, in that mood, I made myself sign up for a three day writing workshop as part of the  'Winter Words' programme at Pitlochry. It turned out to be the kick-start I needed, not so much because of the tutor's input (she was fine) but more because of the way the group gelled: it ranged from a couple of lively twenty-somethings to a wonderful seventy-plus lady who exuded genteel modesty but turned out to be a wickedly funny rebel. We were honest and constructive with each other. sparking ideas until the River Room, overlooking the fast-flowing Tummel, threatened to ignite! The end result is the novel, consigned to the bottom drawer for the last two years, is now back on my desktop. And the Spring bulbs are aglow.

The weekend after the workshop, I was back at Pitlochry to hear Sally Magnusson talk about her latest book, ' Where Memories Go -  why Dementia Changes Everything', a moving memoir of the way she and her family dealt with her beloved mother's dementia. I had read the book and been very moved: what I wasn't prepared for was the intensity of the empathy which came from the capacity audience. It seemed almost everyone in that theatre had a story to tell about caring for a loved one with dementia. And Sally Magnusson handled their questions with such care and passion - a passion which has already seen her chair an important debate on the subject in an attempt to focus the minds of those who have the power and, we hope, the will to drive this topic to the top of the political agenda. 

This is not just another book about the suffering of one individual and her family but an extremely well-written and often joyous account of a daughter's search to preserve the 'self' of her mother in memories.

During the long, dark winter days, I try to keep the writing going by entering competitions. Periodically, I make a note of some of the most noteworthy ones . Usually it's short stories I enter but last month I submitted a memoir for a change. Initially, it felt quite strange writing in this genre but, once I'd found the right voice, it flowed quite easily. It was good to cut to the heart of things and put the magnifying glass on the detail. I found you can't be sloppy with the language of emotion in a memoir: to be credible, you have to distil and then some more until you feel the essence of the experience.

Back to books but this time two books for older teenagers: 'Ferryman' by Claire McFall and 'Slated' by Teri Terry. The first tells the story of Dylan who is killed in a train crash en route to meet up with her estranged father. But she emerges from the crash into a strange Scottish landscape where she meets a boy, Tristan, the Ferryman of the title, whose job it is to escort the souls of the dead across to their final resting place. 

Crossing this wasteland, they encounter menacing demons and wraiths who try to prevent them from reaching the safe houses along the route. They also encounter a developing relationship which, ultimately, presents both of them with difficult choices. As the blurb asks, 'Life, death or love - which will Dylan choose?' 

A sort of modern day retelling of the ferryman story of Greek mythology, this is an unsettling book which poses many questions about life after death, about the power of love and, ultimately, about the complex relationship between body and soul. Big and testing questions for teenage readers as well as for adults.

 
The second is set in the not too distant but scary future in which anyone under the age of 16 is made to undergo a surgery if they are believed to be 'terrorists', or if they are believed to be threats to the society. Their minds and memories are completely wiped and drawn blank. This procedure is called being 'Slated'. Their emotions are controlled by a device called a Levo which registers when the individual is experiencing strong, negative emotions. The state's idea is to control these individuals by keeping them in a permanently level, emotional state

The central character, Kyla is one such 'Slater', confused about all the terrifying flashbacks that keep returning to her - like the man who keeps returning to her dream, smashing her fingers with bricks. And yet, the only answer she is given is that she's "different". She is befriended and protected by Ben - kind, funny and interested in Kyla for who she is. 

The gripping plot involves Kyla trying to find out who she is, who she once was, and who she needs to be.

My only real disappointment was with the ending. The book is the first in what is going to be a series and the ending suffers from that. Too many loose ends are speedily gathered up in an unsatisfactory conclusion, victim of the drive to leave the reader with enough of a 'hook' to warrant a sequel. But, nevertheless, a compelling read.

This morning the light wakened me at 6.30. I could have been irritated by this but, instead, basking in the knowledge that the Spring Equinox is almost here, I threw off the duvet and welcomed the day!
 

 

'Brilliant BOOKMARK'

That was the headline we got in our local press after last month's book festival here in Blairgowrie - our very first, in fact. So, that's my excuse for not having posted here for months. The whole festival thing just took over my life. But it has been so worthwhile. When you get lovely people like Liz Lochhead, Andrew Greig, James Robertson, Mairi Hedderwick and others all saying how much they've enjoyed participating in the event, you feel an enormous pride at being part of the organisational team. And what a team! All volunteers who've given up huge amounts of time and kilowatts of energy to the project. And they're already planning for next year's event!

Books supplied by our own independent book store!

Andrew Greig signs a copy of his latest novel, 'Fair Helen'.

Fiona Armstrong chats to Karen Campbell about 'This is Where I Am'. 

On the Saturday of the festival the heavens parted and we were treated to a spectacular but continuous downpour which threatened to seep inside the Royal Hotel venue. But, ironically, the weather proved to be a bonus as it swept people into the venue to buy up the few remaining tickets. It also meant that the closing whisky tasting event which followed on from an engaging session with internationally renowned whisky writer, Charles MacLean, put people in the perfect mood for later carrying on the 'tasting' in the bar to the accompaniment of a good going ceilidh!

It was wonderful to see so many children and young people at the event. Mini BOOKMARK offered a full menu: a taste of the Scots language for under 5s with James Robertson; a suitcase full of ferrets with the very entertaining Joan Lennon; an inside look at how Katie Morag finally arrives on the page; an animation workshop with the multi-talented, Kyla Tomlinson and finishing off with a Gruffalo Trail which brought together both book and wildlife experience, courtesy of the Perth and Kinross Council's Countryside Ranger Service.

Those who are cynical about today's youth should have been present at BOOKMARK to see for themselves just how wonderfully mature, responsible and capable young people can be. For example, we had a group of senior pupils from Blairgowrie High School taking charge of the technical production. Sixteen year old, Daniel Duncan, set up his company, 'Jam Productions' when he was just fourteen and now supplies technical expertise to a range of events. He and his team took charge of things with a maturity well beyond their years and with a level of courtesy that would show up many an adult! And then there were young, BOOKMARK T-shirt clad marshals who dealt with the public politely and efficiently. Our young blogger, Briana Freedsmith, whose blogs you can read at www.bookmarkblair.com, entered into the spirit of this her first ever book festival with an infectious enthusiasm and a mature professionalism. Well done to all!

The children were, of course, the stars of the show. Their faces say it all. And we loved it just as much as they did! We'll be back with a great BOOKMARK programme in October, 2014.

Raring to Write: Bookmarked, Baltic and Bliss!

Raring to Write: Bookmarked, Baltic and Bliss!: I'm acutely aware that I've been very remiss in posting any new blogs in recent months. My excuse? I've been up to the eyebrows ...

Bookmarked, Baltic and Bliss!

I'm acutely aware that I've been very remiss in posting any new blogs in recent months. My excuse? I've been up to the eyebrows in book fest. organisation. Last post I mentioned my moment- of- madness decision to seek funding for BOOKMARK, a new book festival to be hosted in Blairgowrie (East Perthshire) with fringe events in Rattray & The Glens. After months of delicate gymnastics (jumping through hoops of fire while tied to restraining hand and foot straps), the executive committee (three mad women) have finally submitted applications and await results with a mixture of dread and anticipation. Meanwhile, we have a draft programme (just mistyped as 'pogromme'!) in place but can't finalise anything until we get the green light from those who hold the purse strings ( in some cases to the point where fingers turn blue!).

But, at risk of completely contradicting myself, it's not been ALL work: there was a short interval of play when I took off from this wintry scene

h

 to some South African sunshine . . .

 

and a little wine from Laurensford Estate . . . 

Been back now for a couple of weeks and, although still recovering from the temperature shift (31 to 4), I've also been enjoying long walks in frosty, blue-skied days. Today's another story! I should have been out there climbing a hill to mark International Women's Day but high winds and driving rain - falling as snow up the glen - sent me scurrying back under the duvet. One's empathy has limits.

On these walks, I've had time to reflect: on the shameful contrast between the comfortable lifestyle of many (but not all) white South Africans and the endemic poverty of so many of their fellow black South Africans, despite heroic efforts (mixed with a liberal helping of corruption) by the ANC government to build new houses and provide clean water and electricity; on the privilege enjoyed by many UK residents and rural Scots, in particular, to roam freely without feeling threatened or compelled to live behind security gates and electric fences; on the sheer joy at being alive and fit (relatively!); on the central importance of writing in my life now that it has been so neglected over the last 6 months.

Five years after publication, I've finally got round to reading Steven Galloway's 'The Cellist of Sarajevo'. 

Coinciding as it did with my trip to South Africa, its reading had a particular resonance. The idea that in the midst of the devastation of war and all its attendant cruelties, beauty can emerge as a powerful instrument of truth and common humanity struck me with powerful relevancy.

So . . . it's time to get right back into that short story which I've been meaning to finish for weeks. Maybe it'll never have an ending but then maybe that will prompt the beginning of a new story. The circles of life are still being drawn.

Raring to Write: A book festival in Blairgowrie? You must be mad!

Raring to Write: A book festival in Blairgowrie? You must be mad!: A few months ago, being of unsound mind at the time, I threw out a question, intending it to be rhetorical, 'Why don't...

A book festival in Blairgowrie? You must be mad!

A few months ago, being of unsound mind at the time, I threw out a question, intending it to be rhetorical, 'Why don't we have a book festival in the town?' Unfortunately, there are others out there of equally unsound mind who came back with the repeated answer, 'Why not?'. So here I am, taking precious time out from writing, to talk to book festival organisers around the country, downloading fiendishly complicated funding application forms and generally rushing round in a fever of passionate enthusiasm, nightly cooled by a cold poultice of doubt.

 I regularly attend book festivals, small and large (prefer the small) around the country so I know something about being a festival attendee. On the other hand, I knew precious little about the nature of the beast from an organiser's perspective until I started to make enquiries. Since then, it's been a steep learning curve but less painful than anticipated, thanks to the generous input from the organisers of other festivals such as Ullapool and Borders. Paula Ogilvie from the latter organisation, courtesy of Scottish Book Trust funding, has produced a comprehensive survey of book festivals throughout Scotland (currently numbering a staggering 34!) and this provides a wide range of vital information  from audience profiling to ticket pricing.

Already I have had offers of help from a wide range of people in the area. Now they just need pinning down. I'm hoping my unsound mind phase lasts sufficiently long to see this project through. All it takes is vision, energy, enthusiasm, meticulous organisation, professionalism . . . and a very brassy neck! Let's translate this vision into reality.

The Trick is in the Detail

This month I've set myself the task of keeping a writing diary of details: the telling significance of an object's shape, colour, structure, texture, scent, imperfections . . .

I've always admired writers who can use telling details to add symbolic layers to their writing. Recently, I re-read Robin Jenkins's novel, 'The Changeling' and was full of praise for the way in which he set down details which, initially, seemed insignificant but which gathered layers of meaning as they were picked up at later points in the narrative. It prompted me to think about the importance of detail in our lives: the small gesture that conveys so much, the exact tone of a well-chosen word, the telling sound and so on. As well, of course, as the absence of the above.

So, I've started in the garden - a bit of a disheartening task in this rain-sodden landscape - but it's made me look afresh at so many things: plants, 'beasties', walls, stones, hedges, horizons and much more. It's been a challenging exercise; selecting the relevant details, finding the right words to record them and jotting down any figurative or connotative significances.

I've carefully omitted to say, of course, that all this has been going on while I should have been writing my next short story! But I'm hoping that it will bear fruit in the long run. Well, that's my justification for the moment. How important is detail for you - as a writer/reader?

What a find! And I don't know how I've missed it. Just back from having spent a few glorious days in Stoer in the NW Scottish Highlands. Scenery to feed the spirit and people to gladden your heart. En route, we stopped in Ullapool and, quite by chance, discovered The Ceilidh Place (www.theceilidhplace.com), a hotel, bunkhouse, restaurant, arts centre AND wonderful book shop. The latter is run by a woman called Avril who clearly knows her books from her biscuits. The best display of Scottish literature I've seen in any independent as well as a refreshing range of children's books in English and Gaelic. I've no doubt May's successful Ullapool Book Festival helps to keep the stock fresh and up to date. But what a pleasure to chat to staff who really know their books. I could have spent a fortune (and nearly did!). I'll definitely be back and, hopefully, take in the festival as well.

Raring to Write: Great Reads and Inspiration.

Raring to Write: Great Reads and Inspiration.: Recently I've been reading two very different and yet, strangely, similarly inspired books: Sebastian Barry's 'The Secret Scripture' ...

Great Reads and Inspiration.

Recently I've been reading two very different and yet, strangely, similarly inspired books: Sebastian Barry's 'The Secret Scripture' and Dave Boling's début novel, 'Guernica'. The former, set in a mental institution in contemporary Ireland looks back to key events, both personal and political, through the eyes of a very elderly resident, Rose, who feels compelled to record her fading memories. Her testimony deals with shifting memory, loss and redemption. In common with his other novels, 'The Secret Scripture' draws some of its inspiration from Barry's real-life ancestry.

'Guernica' also records troubled and violent times - 1930's Spain and the ruthless bombing of Guernica by the Luftwaffe at Franco's invitation. The story starts with a Basque family and records their lives, loves and culture. Tragically, these individuals become caught up in the terrible events graphically depicted by Picasso in his famous mural. In an introductory letter, Boling explains the source of his inspiration for the novel:

 'Fresh out of college, I met a lovely Basque girl whose grandparents had come to America to herd sheep in the mountains of Idaho. Her family filled me with Basque foods . . . . . . and displayed a fierce loyalty to their families and heritage. From them I learned of the decades-long oppression of their culture by the Franco régime. And from them I also heard of the bombing of Guernica.'

I was thinking about both of these books while looking for an idea for a short story. And, you've guessed, I think I've found it in a particular family narrative about my maternal grandfather who, sadly, died before I was born but about whom my mother told many stories with warmth and laughter. These are truly inspirational.

Coping with Rejection!

On the same day as I was rushed to hospital after suffering a blackout, I received an e-mail from the Scottish Book Trust telling me that 'unfortunately' I had failed in my application for one of their New Writers awards. I wasn't really expecting to be a recipient but still, somewhere in the back of my mind, there lodged a vague hope that I might have an outside chance. So, still feeling very woozy after my hospital sojourn, it only took one reading to reduce me to tears!

Feeling sorry for oneself when faced with rejection letters, however, is not a very constructive response. The next day I had a serious talk to myself and spent some time reading samples of writing from previous winners of these awards. Despite admiring many of the extracts, I'm not sure I learnt an awful lot about what makes a winning entry.

Writing is fraught with the hazards of self-doubt and mood swings: one day you feel proud of your words, the next filled with despair. That's when I try to speak to others in the same position - come out of my solitary eyrie and bounce ideas off someone else. Remind myself of all those famous authors who've faced multiple rejections but finally won through, Ruthless tenacity is the key. That, and a passionate belief that this is what I want to do above everything else -write and keep on writing in the hope that someday I'll produce something of real merit.

Until then, I'll invest in a few more boxes of man-sized tissues and a steel rod for the back!

New Year's Resolutions

Well, it's arrived - 2012. And another chance to list those resolutions which, in my experience, generally last about five minutes! But this year it's going to be different - no really. Having lost two very special friends to cancer in 2011, I'm acutely aware of my own mortality and the need to get down on paper all the storylines that have been buzzing around in  my head for far too long. Procrastination is no longer a recognised concept!

So I've drafted out a writing timetable for January to March with targets and realistic deadlines. Because I know I respond better when under a bit of pressure, I've built in a couple of competitions with closing dates end January and end February. (My Tax Return might get in the way of the January deadline!)

I am resolved to make 2012 the most productive year yet! If there's anyone out there ready to share my resolution, I'd love to hear from you. Happy New Year.

Raring to Write: Pull Out All the Stops

Raring to Write: Pull Out All the Stops: I've just finished reading 'Pull Out all the Stops' by Geraldine McCaughrean, a sequel to 'Stop the Train'. Much of the action takes p...

Follow-up to Perthsire Open Studios

Delighted to feature in Saturday's (3rd)  Scotsman magazine which ran an item on eight Perthshire artists, including Kyla Tomlinson and self. The editor contacted me, having got my name from the POS brochure and it went from there. She was particularly interested in the mix of text and image so maybe that's worth thinking about for future projects. Anyone out there involved in any similar kind of collaboration? Love to hear from you.
                                                               Mature Pole Dancer

Now, however, I'm continuing to enter as many short story competitions as possible to keep me writing to deadlines!

Pull Out All the Stops

I've just finished reading 'Pull Out all the Stops' by Geraldine McCaughrean, a sequel to 'Stop the Train'.  Much of the action takes place  on a storm-damaged Mississippi paddle steamer during the late eighteenth century. The narrative is fast-moving, funny and hugely enjoyable, But, above all, it's  superbly written in a style sparking with originality and fizzing with humour. Anyone who is seriously interested in writing, whether for children or adults, should read her work. Every page just dances with original images: describing the storm-swollen river, 'And when it has made its point, and withdrawn, it leaves behind flotsam, like a drunkard's tip on the bar.' Or, talking about Cissy, the central character, 'Cissy sat back down in her chair, tears pressing her eyes like cows in a cattle crib.'  - Wonderful stuff!

Short Story Competitions

Having set aside the novel for the moment (trying to pluck up courage for a major redraft!), I've been exploring short story competitions to provide motivational deadlines to keep me writing. There are so many of these that it can be very confusing but this month's edition of the magazine 'Writing' provides a selection of interesting ones. I've also spent some time checking out useful websites which list current competitions for all genres. Here are three that I've found useful in providing links to rules, entry forms etc. www.firstwriter.com (need to subscriber to this one but it's pretty cheap), www.theshortstory.org.uk/prizes and www.jbwb.co.uk/writingcomps.htm
Happy writing! And do keep me posted about any aspect of writing you'd like to discuss.

Perthshire Open Studios - How did it all go?

Last post told you about the latest collaboration with artist, Kyla Tomlinson. These are a few images from the 'Candid Cameos' exhibition we put together for September's Perthshire Open Studios week. Hugely enjoyable but seriously tiring! The sun room was converted to a studio and, once the weather deteriorated, the lounge area into a coffee shop!
Lots of very complimentary feedback and very encouraging sales of stories, books and prints. Made a number of excellent contacts and met some really interesting people. It was a great adventure which I'd tackle again  but with some slight changes to direction now I'm not an entire novice!
If you're serious about getting your writing (and your name) out there, then I'd recommend exploring all possible avenues, including this kind of collaboration with another artist from a different medium. Go for it! What's been your experience of getting your writing to new audiences? I'd love to hear from you.